Feb - Apr 02
Riding the BIG One!
From Gary Harwood
Heres an interesting discussion on the mechanics of wind generated waves vs
tsunamis. The picture that most people have of a "classic" tsunami is typified
by Hawaiian surf -- a single big, curling wave like the wave depicted in Hokusai's famous
19th century print. Why should a tsunami "break" differently than the type of
wave exploited by surfers? Wave breaking is always a non-linear process and therefore
extremely difficult to describe analytically, but in essence most non-linear wave
phenomena are due to a dependence of the wave speed on the wave amplitude. To illustrate
how this can lead to a steepening and overturning of the wave, consider the formula for
the wave speed in shallow water: (gh)^1/2 where h is the undisturbed water depth and g =
the acceleration of gravity. The speed of the top portion of the wave will be the largest,
while the speed of the bottom of the wave will be the lowest. Because the top of the wave
travels the fastest, the wave will steepen toward the front and eventually topple over. In
effect the height increases until the wave can no longer support its own weight and it
collapses catastrophically. This gives an idea of the classical picture of wave breaking.
So far, so good. Now, unlike wind generated surf, tsunamis are frequently shallow water
waves (long periods and wavelengths) even while propagating in water a mile deep or more.
"Typical" wind generated waves rhythmically rolling in, one wave after another,
might have a period of about 10 seconds and a wave length of 150 m. A tsunami, on the
other hand, might have a wavelength measured in 100's km and a period on the order of one
hour. From the formula above you can verify that in an ocean, say, 4000 meters deep the
tsunami speed is about 200 m/s or around 400 mph. ((9.8 x 4000)^1/2= 200 ms-1= 700 km/h).
Because the rate at which a wave loses its energy is inversely related to its wave length,
tsunamis not only propagate at high speeds, they can also travel trans-oceanic distances
with little energy loss. In contrast to wind-generated waves, in which water is
momentarily displaced vertically, tsunami waves transport water forwards and backwards.
Although the wave is shortened from its deep-water wavelength as it approaches shore,
unlike any wind-generated wave it still extends several kilometers crest to crest, and, on
approaching the shore it amplifies due to the decrease in depth. The layperson tends to
associate this amplification with a conservation of mass principle. After all, the depth
is getting smaller -- shouldn't the wave height get larger to "conserve mass"?
The answer is no! Conservation of mass certainly holds, but only for fixed masses. The
wave is propagating relative to the fluid mass and such reasoning fails. This is just
conservation of energy. Ultimately, this energy conservation law implies that the
amplitude increases as h^ -1/4, where h is again the local water depth. This -1/4 law is
referred to as Green's law and has been known for over a century. The waves never attain
infinite amplitude as predicted by Green's law and typically break forming a stepwise
white water region known as a moving hydraulic jump or "bore" -- a turbulent
vertical wall of water. Longer waves that feel the bottom before shorter waves become
unstable and break further offshore in deeper water. In conclusion, a much more accurate
depiction of a super-tsunami would be a wall of turbulent white water, not a Hawaii-style
big curling wave.

Sentinel by Gary Tonge
Between two gigantic waterfalls, a lone structure pierces the sky.
Bearing down upon the landscape the tower is almost overpowered, in spite of its enormity,
by the sublime beauty of the landscape which supports it. Im pretty pleased
with the composition of this image. I wanted to purvey the immense structure and at the
same time show that despite its incredible scale, it is still a mere accomplishment
compared to the world on which it has been created. This image was digitally hand drawn in
Photoshop 6.

Copyright © 2002
International Association of Astronomical Artists