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e-PulsarFeb - Apr 02

200 Million Year Long Workshop

 


Devonian ammoniteOn Saturday, 16 March 2002, an IAAA 'mini-workshop', organized by Richard Bizley, was held in Lyme Regis, Dorset, England. The aim was to search for fossils, which are quite common on this coast, aided by Steve Davies of the Dinosaurland Fossil Museum (www.dinosaurland.co.uk). Despite an atrocious forecast, the weather was kind; attendees even had blue sky and sunshine for a while. The walk went very well, and everyone enjoyed themselves, including, of course, the evening meal with the obligatory Orange Food. Richard and Ruth are to be congratulated on their hospitality, and Richard's work was much admired too. A few fossils, mainly ammonites, were found, but the fun was in the looking. Thanks, too, to Steve Davies, the fossil expert, who led the Walk and gave us much useful information on dinosaurs and such. That evening, Dave Hardy was presented with his framed Rudaux Award by Jackie Burns.

Heading for the beach.The best time, apparently, to find fossils at Lyme Regis is in the early spring spring high tides and storms churn up the deposited fossils, and after a recent rain-fall, the water running off the cliffs around the local beaches wash down fossils and open up new sections of the cliffs after land slides. You may ask what has paleontology to do with astronomical art? Aside from the fun of having a get-together, both are looking back in time. A *long* time. Much of astronomy is really paleo-physics. It's hard to imagine timescales of hundreds of millions of years. The light we see now from the Coma Cluster of galaxies departed when these primitive creatures swam in a shallow tropical sea. What we see on the ground and in the sky are the same age. So you can look up or look down for inspiration!


Flight of the Eagle

Flight of the Eagle by Mark Garlick

This is my first go at soft pastels (not oil pastels) in about 18 years. The background crater field is almost entirely black and white pastel on gray card, but I added some highlights with a white colored pencil. The ship, meanwhile, was painted in acrylic, copied from a model I made. The image shows the lunar excursion module coming down to land on the Moon. The crater field is actually based on an Apollo 16 photo of the lunar far side, whereas the Eagle of course landed in the Sea of Tranquility. Artistic license!


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International Association of Astronomical Artists